After a confinement in a harem, an illiterate Algerian takes her revenge by reinventing herself as a writer. Under the name of Elissa Rhaïs, she becomes the darling of the literary Paris of the inter-war period, in search of oriental fantasies.

A true story, with multiple short stories that show human rights violations and economic exploitation within religious and government institutions.

A few kilometres from Ajaccio, the burnt earth gives in to the weight of colour. The ground opens up and frees pictorial energies that take over the sky. I see the horizon disappear, but I keep it in my sights. The train continues on its way...

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

Rose Bonbon, a small singer of light variety with a naughty and colorful imagination, is in the glue with Roger, a characterful brute who thinks he is a manager. Between shabby hotels and cheap restaurants, she meets the handsome Dubel, an impresario on the sidelines. He hires Rose at the drop of a hat because he has to replace Hermine Zibeline for a tour in the Paris region with the famous Billie Boys from Broadway.

科考队员埃利奥特和美伏特听说湖底有黄金，顿时产生了邪念，他们挟持了简和鲍依要求泰山带他们找到金矿，不料在找到金矿后，美伏特却无情的开枪射杀了泰山。真是恶有恶报，他们在返回城市的途中遇到了最恐怖的食人部落。